- “Correction: Parole, Prison, and the Possibility of Change” (2023) by Ben Austen
- “The Fire Next Time” (1963) by James Baldwin
- “Wild Houses” (2024) by Colin Barrett
- “Good Rich People” (2022) by Eliza Jane Brazier
- “Tripping On Utopia: Margaret Mead, the Cold War, and the Troubled Birth of Psychedelic Science” (2024) Benjamin Breen
- “More Than A Glitch: Confronting Race, Gender, and Ability Bias in Tech” (2023) by Meredith Broussard
- “Between Two Fires” (2012) by Christopher Buehlman
- “Here in Avalon” (2024) by Tara Isabella Burton
- “Kindred” (1979) by Octavia Butler
- “The Tower” (2024) by Flora Carr
- “Rough Trade” (2024) by Katrina Carrasco
- “Playing With Reality: How Games Have Shaped Our World” (2024) by Kelly Clancy
- “Ring Shout” (2020) by P. Djèlí Clark
- “Just Pursuit: A Black Prosecutor’s Fight for Fairness” (2022) by Laura Coates
- “Sunrise On the Reaping” (2025) by Suzanne Collins
- “The Lighthouse Witches” (2021) by C.J. Cooke
- “Saint Death’s Daughter” (2022) by C.S.E. Cooney
- “Hey, Zoey” (2024) by Sarah Crossan
- “The Adversary” (2023) by Michael Crummey
- “The Violence” (2022) by Delilah S. Dawson
- “Life and Death of the American Worker: The Immigrants Taking on America’s Largest Meatpacking Company” (2024) by Alice Driver
- “You Dreamed of Empires” (2024) by Alvaro Enrigue
- “Woman of Light” (2022) by Kali Fajardo-Anstine
- “Daisy Darker” (2022) by Alice Feeney
- “Dirtbag, Massachusetts” (2022) by Isaac Fitzgerald
- “Sharp Objects” (2006) by Gillian Flynn
- “Treacle Walker” (2021) by Alan Garner
- “Witchcraft: A History in Thirteen Trials” (2023) by Marion Gibson
- “I Who Have Never Known Men” (1995) by Jacqueline Harpman
- “Just Like Mother” (2022) by Anne Heltzel
- “Disillusioned: Five Families and the Unraveling of America’s Suburbs” (2024) by Benjamin Herold
- “This Wretched Valley” (2024) by Jenny Kiefer
- “Under the Poppy” (2010) by Kathe Koja
- “The Devil’s Dictionary” (2021) by Steven Kotler
- “The Museum of Other People” (2023) by Adam Kuper
- “Shutter Island” (2003) by Dennis Lehane
- “The Road from Belhaven” (2024) by Margot Livesey
- “Blood of Hercules” (2024) by Jasmine Mas
- “Sisters of the Lost Nation” (2023) by Nick Medina
- “Blackfish City” (2018) by Sam J. Miller
- “Traces of Enayat” (2019) by Iman Mirsal
- “Woman of Interest” (2024) by Tracy O’Neill
- “Where the Crawdads Sing” (2018) by Delia Owens
- “The Rich People Have Gone Away” (2024) by Regina Porter
- “I Am Not Who You Think I Am” (2021) by Eric Rickstad
- “Graveyard Shift” (2024) by M.L. Rio
- “Limitarianism: The Case Against Extreme Wealth” (2024) by Ingrid Robeyns
- “We Cast a Shadow” (2019) by Maurice Carlos Ruffins
- “Bury Our Bones in the Midnight Soil” (2025) by Victoria Schwab
- “Happy-Go-Lucky” (2022) by David Sedaris
- “The Playbook: A Story of Theater, Democracy, and the Making of a Culture War” (2024) by James Shapiro
- “Token Supremacy: The Art of Finance, the Finance of Art, and the Great Crypto Crash of 2022” (2024) by Zachary Small
- “Cahokia Jazz” (2024) by Francis Spufford
- “Class War: A Literary History” (2024) by Mark Steven
- “Whiskey Tender” (2024) by Deborah Jackson Taffa
- “Fire Exit” (2024) by Morgan Talty
- “Do Something: Coming of Age Amid the Glitter and Doom on 70’s New York” (2024) by Guy Trebay
- “Harvest Home” (1973) by Thomas Tryon
- “The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins” (2015) by Anna Tsing
- “The Cooking Gene: A Journey Through African American Culinary History in the Old South” (2017) by Michael W. Twitty
- “Little Eve” (2018) by Catriona Ward
- “The Other Olympians: Fascism, Queerness, and the Making of Modern Sports” (2024) by Michael Waters
- Private Revolutions: Four Women Face China’s New Social Order” (2024) by Yuan Yang
- “Butter” (2017) by Asako Yuzuki
- “Clean” (2024) by Alia Trabucco Zerán
- “Shock Value: How a Few Eccentric Outsiders Gave Us Nightmares, Conquered Hollywood, and Invented Modern Horror” (2011) by Jason Zinoman
Louisa Gaylord 