Many contemporary movies are created from existing source materials: novels, memoirs, comic books and graphic novels. Some of them are faithful adaptations, and others share little more than a name and a few major themes. This year, I will compare American texts that have been made into movies, and featuring authors who are women, people of color and immigrants – demographics whose voices have historically been repressed.
“Beasts of No Nation” is the 2005 debut novel by Nigerian-American author Uzodinma Iweala. The title comes from a 1989 anti-apartheid album from Nigerian musician and Afrobeat pioneer Fela Kuti. The book was adapted into a war drama film in 2015 that was directed by Cary Joji Fukunaga.
I recently returned from my solo trip to New York City, and the timing couldn’t have been more perfect! I originally booked the trip in late October so that I could see Harry Potter and the Cursed Child at the Lyric Theatre on Halloween, but as I started researching other activities to fill the rest of my trip, I realized that I had inadvertently planned everything to coincide with tons of exciting limited-run art and music experiences!
Here it is! The final installment of ridiculous haiku book reviews to chronicle my epic reading quest. I wasn’t able to write up each of the 52 books because sometimes I like to leave my house, but I am looking forward to reading what I want at my own pace. It’s not so bad when I first started my reading list, but as I continued to cross books off my list, it got harder and harder to have specific books lined up. I’m planning a conclusion post about what I learned and timely coincidences to neatly sum up everything, so stay tuned for that.
Without further ado, I present the last set of haiku I will ever post publicly (if you’re lucky):
When I first saw the list of 52 books, I figured I could do it in a year. Averaging one book per week – pretty simple, right? As I began to work my way through the list, I began to see that I couldn’t just start at #1 and work my way through in numerical order. For starters, I wanted to save the book set during Christmas for, well, December. I read the books that were difficult to obtain or more specific first, and now I’m left with an interesting mix of literature to cross off my list: a book based entirely on its cover, a book with bad reviews… and that Christmas book I will end up reading sometime in August.
I am very nearly finished with the reading list I’ve adopted – I’m averaging 1.4 books per week! – only time will tell if and how I choose books will change forever. But I probably won’t write any more haiku reviews about them, so enjoy them while they last.
I found a list online of 50 types of books – 52 books in total (a trilogy only counts as one) – designed to get readers out of their comfort zones. I had the bright idea to read 1 book every week and check off every criteria on the list by the end of December 31, 2015. As someone who usually gravitates towards mysteries and memoirs, I was excited to try out genres like graphic novels, a book originally written in another language, or a book with magic or nonhuman characters.
So far, I am ahead of schedule: I’m working on book #28 – a book that became a movie. I’ve crafted more responses and reviews in haiku form, because, as the old chatterbox Polonius said, “brevity is the soul of wit.”
I found a list of 50 criteria designed to expand your “reading comfort zone” – genres and authors I wouldn’t otherwise pick up, different formats like plays and graphic novels, and old books that might have been forgotten. I decided to turn this reading list into my 2015 “To Do” list, and I’ve been working my way through it since January 1st. Here are some select reviews from the books I read during January and February.
Franz von Stuck did not begin as a painter, but as a graphic designer and an architect. Born in Bavaria in 1863, Stuck showed an early talent for drawing and caricature. He attended the Munich Academy from 1881 to 1885 where he refined his artistic style. Stuck first became relatively well-known when he began illustrating cartoons for the German weekly satirical magazine, Fliegende Blätter, a publication with 95,000 copies at its peak circulation, and featured other artists such as Wilhelm Busch and Julius Klinger. Stuck supplemented his magazine work with providing drawings for book covers, pamphlets and promotional posters. Here Stuck begins exploring the creation of icons and the legendary, biblical and mythical symbols that will later dominate his painting career.